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The Art of Dissident Domesticity: Incarceration, Sovereignty, Information

06 October 2015, 6:00 pm–8:00 pm

Event Information

Open to

All

Organiser

UCL Fringe

Location

Masaryk Senior Common Room, SSEES, 16 Taviton Street, WC1H 0BW

AÌý#FRINGEcentreÌýlaunch event

This talk is a launch event for the UCL FRINGE Centre: The Centre for the Study of Social and Cultural Complexity. More details to follow on the night.Ìý

This talk explores the relationship between state and international orders of coercion and control by exploring the intersections of digital media, popular culture, and high art. It elaborates the concept of dissident domesticity which refers to the fact that while state and imperial power and trans-state information technologies appear to be both public and secretive they are in fact at their most controlling when they blur the lines between public and private, formal and intimate, legal and affective, authentic and fictional. The talk juxtaposes three frames of historical, ethnographic and artistic reference: the historical frame of the British Imperial world—with its forms of mobility and control of motion—that sets the conditions of incarceration and control of information produce and maintain fictions of a global order of states; historical andÌýcontemporary sites of diplomatic asylum,Ìýwhich simultaneously incarcerate and provide extra-territorial enclaves for political sedition; and an ongoing fieldwork project on immigration detention centres in the UK today, which explores fictions about national security through the production of art works with detainees. This work is based on a confluence of ethnographic and archival work and contemporary art. On a reflexive level it examines the relationship between scholarship, art, and design.

Speaker Profiles

Ìý

Jesse Weaver ShipleyÌýis a filmmaker, writer, and ethnographer. He received his Ph.D. in Anthropology from University of Chicago and is Associate Professor of Anthropology at Haverford College. He is concerned with urban life, labor, entrepreneurship, mobility, and new media technologies as they relate to life under changing economic regimes. ÌýHis ethnographic research focuses on performance, popular culture, music, youth, and technology in Ghana and recent African Diasporas. He is the author of Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music (Duke University Press 2013). His articles appear in journals including Public Culture, American Ethnologist, Cultural Anthropology, and Social Text. Recent films include the feature documentary Living the Hiplife: Musical Life in the Streets of Accra (2007), the multi-channel video installation Black Star (2012), and Is It Sweet? (2013). His new book Trickster Theatre: The Poetics of Freedom in Urban Africa (Indiana University Press 2015).

Khadija von Zinnenburg CarrollÌýis currently working on a research, exhibition and film project ‘Security: A fiction’ about immigration detention, supported byÌýthe European Research Council at the University of Oxford. She wrote herÌýPhD at Harvard University on ‘Imaging Nation: Colonial HistoryÌýand Contemporary Australian Art’ andÌýisÌýthe author of the book ‘Art in the Time of Colony’ (2014).ÌýShe has recently exhibited at venues includingÌýHaus der Kulturen der Welt Berlin,ÌýExtracity Antwerp,ÌýProject Space Dublin and the Irish Film Institute.

MichaÅ‚ MurawskiÌýis Mellon Post-Doctoral Fellow at the School of Slavonic and Eastern European Studies, University College London. He completed his PhD in Social Anthropology at Cambridge in 2014. With a focus on Warsaw and Moscow, his work examines how cities in Eastern Europe grapple with socialist-era legacies in their built environments. He is currently working onÌýPalace Complex, a book about aÌýStalinist skyscraper’s continuing domination over the everyday social, aesthetic and affective life of 21st century Warsaw.Ìý


For information about FRINGE, please contactÌýa.bonsu@ucl.ac.uk

For details about the event, please contactÌým.murawski@ucl.ac.uk